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Artifacts and fantasy
(University of Missouri--Columbia, 2007)
developed to cope with it. The paintings in "Artifacts and Fantasy", encourage the viewer to excavate layers and sift through materials, thereby activating memory. Familiar artifacts and textures draw the viewer into the surface of the painting. The scale...
Solely unrooted
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Isolation and removal from one's culture, or even detachment from the culture, can bring about a sense of displacement. The feeling of displacement ...
Musica Universalis : the pursuit of pure abstraction
(University of Missouri--Columbia, 2019)
The thesis exhibition, Musica Universalis, is a multi-sensory exhibition comprised of experimental weavings on deconstructed found pianos, systematic drawings, and paper scroll music boxes. The music boxes allow the viewer ...
Some self-correction required
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This project explores the behaviors of indifference surrounding the abdication of personal and societal responsibility in American culture. Themes of ...
Necessary imbalance: ceramic sculpture as human social analogue
(University of Missouri--Columbia, 2010)
The focus of this visual investigation is the relationship between the individual and the larger group. I often struggle to understand myself, my curiosities and motivations and how they relate to the greater society. I ...
Industry
(University of Missouri--Columbia, 2010)
it serves as a disastrous catalyst for numerous problems within our society. These problems are addressed in my sculptures and prints by focusing on issues relating to agribusiness and the use of animals in industry. The general public is not exposed...